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“K.O.” is a French Netflix action film starring UFC heavyweight contender Cyril Gane as Bastien, an MMA fighter who accidentally kills his opponent, Enzo, and retreats into solitude. Haunted by guilt, Bastien has sworn off violence—until Enzo’s widow discovers him and enlists his help to find their missing son, Léo, who has become wrapped up in Marseille’s violent underworld
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Describing the film as a “stunt-cast” vehicle, critic Jonathon Wilson notes that Gane’s acting is as expected—minimal, physical, and serviceable—while the narrative moves briskly through its 90-minute runtime, often fast-forwarding through emotional arcs. The film pairs Bastien with rogue cop Kenza (Alice Belaïdi), whose personal vendetta against the psychotic "Manchours" gang provides the backdrop for the main plot. Their dynamic is brisk and to the point—little setup, more action .
Where “K.O.” truly delivers is in its well-choreographed fight sequences: a neon‑lit nightclub brawl that echoes John Wick, and a gritty police-station melee. Gane’s physical presence—hulking, agile, and convincingly brutal—is the film’s biggest asset. Outside of the action, though, the plot and character development feel thin. In short, “K.O.” is exactly what it sets out to be: a punchy, action-first showcase that hits hard, but doesn’t aim deeper
{duration}= 1h 26m
{year}=2025
{type}=FHD
Describing the film as a “stunt-cast” vehicle, critic Jonathon Wilson notes that Gane’s acting is as expected—minimal, physical, and serviceable—while the narrative moves briskly through its 90-minute runtime, often fast-forwarding through emotional arcs. The film pairs Bastien with rogue cop Kenza (Alice Belaïdi), whose personal vendetta against the psychotic "Manchours" gang provides the backdrop for the main plot. Their dynamic is brisk and to the point—little setup, more action .
Where “K.O.” truly delivers is in its well-choreographed fight sequences: a neon‑lit nightclub brawl that echoes John Wick, and a gritty police-station melee. Gane’s physical presence—hulking, agile, and convincingly brutal—is the film’s biggest asset. Outside of the action, though, the plot and character development feel thin. In short, “K.O.” is exactly what it sets out to be: a punchy, action-first showcase that hits hard, but doesn’t aim deeper